Abstract: This article examines the concept of “Lager” which recurs insistently in the tragedy Calderón, especially the intersection of this word with others, such as “institutions” and “society”, focusing on the prison semiosis of the dream to outline the new reconfiguration of the world after 1968. Moreover, it dedicates particular attention to aphasia as a stylistic and expressive choice. The article also shows how Pasolini’s reflections meet those of Jakobson on the theme of aphasia.
Keywords: Pier Paolo Pasolini, Calderón, Lager, Internment, Institutions, Roman Jakobson, Aphasia.
