Il fascismo nella cultura italiana: 1945-2023
Editors:
Guido Bartolini, Ghent University
Charles Burdett, University of London
Charles Leavitt, Notre Dame University
Giacomo Lichtner, Victoria University of Wellington
Giuliana Pieri, Royal Holloway University of London
Table of Contents
Guest Editors, Introduction 1
1 – Literary Mediations
Samah Abdo, Università di Ain Shams, Facoltà di Al-Alsun, Foglio di via di Franco Fortini, dal nichilismo alla lotta contro il fascismo 9
(click here for abstract)
Guido Bartolini, Ghent University, Nature versus Nurture: The Conceptualisation of Fascism in Pratolini’s Un eroe del nostro tempo, Moravia’s Il conformista, and their Critical Reception 33
(click here for abstract)
Anna Taglietti, Università degli Studi di Perugia, “Chi mi chiama fascista non ha letto i miei libri”: Giuseppe Berto e il problema del fascismo 61
(click here for abstract)
Mara Josi, Ghent University, From Book to Screen. Images of the Fascist Dictatorship in Elsa Morante’s La Storia 81
(click here for abstract)
Fabrizio Miliucci, Università di Torino, Dalla preistoria alla modernità. Identità e fascismo nell’opera di Antonio Pennacchi 101
(click here for abstract)
2 – Cinematic Mediations
Lorenzo Fabbri, University of Minnesota, Twin Cities, Archives of Fascist Obscenities and Insurgent Futurities: The Shadow King, Giorni di gloria, and All’armi siam fascisti! 123
(click here for abstract)
Valentina Geri, Smith College, The Deconstruction of the italiani brava gente Myth in Dino Risi’s La marcia su Roma (1962) 155
(click here for abstract)
Sarah Patricia Hill, Victoria University of Wellington, Downcast Eyes: Selective Blindness, Disability Disavowal and the Spectre of Fascist Masculinity in the Commedia all’italiana 175
(click here for abstract)
Rebecca Bauman, Fashion Institute of Technology, SUNY, Cinema and Aesthetics in the Years of Lead: The Fascist-Themed Film in Italy and West Germany 201
(click here for abstract)
3 – Cinematic Interventions
Maurizio Zinni, Sapienza, Università di Roma, The Shape of Politics: The Debate over Fascism in Left-Wing Cinematographic Culture from the End of the War to the 1970s 225
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Thomas Cragin, Muhlenberg College, Fascism “for a Public that Searches” in La notte di San Lorenzo 247
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Luca Peretti, University of Warwick, “Purché ne salvi lo spirito.” Tempo di uccidere, Made and Unmade Films 269
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Giuliana Minghelli, Independent Scholar | Photographer, Family Remains: An Essay Film on How We Remember Fascism 287
(click here for abstract)
4 – Monuments and Visual Art
Lara Pucci, University of Nottingham, Postcards from the Past: Fascist Site-Seeing in Post-War Italy 317
(click here for abstract)
Elgin K. Eckert, Karlshochschule International University; Reallabor Future Democracies, Two Monuments of Fascist Oppression in South Tyrol: One Acknowledged, One (Almost) Forgotten 345
(click here for abstract)
Francesca Billiani, University of Manchester, Quale fascismo?: muralismo, nuovo muralismo e arte di strada 373
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5 – Cultural and Media Studies
Jessica L. Harris, St. John’s University, “Permettereste a vostro figlio di sposare Lola?”: Latent Fascism, American Culture, and Blackness in Postwar Italy 399
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Andrea Ventura, Università di Pisa, Raccontare e interpretare l’avvento del fascismo. I programmi Rai dal 1958 al 1975 421
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Maria Bonaria Urban, Royal Netherlands Institute in Rome, Narrare il fascismo nell’era digitale: storia, memoria e transmedialità in M. Il figlio del secolo 445
(click here for abstract)
